Henri Laurens, Autumn, 1948
"‘I aspire to a ripeness of form’ Laurens said. ‘I should like to succeed in making it so full, so juicy that nothing could be added.’ This monumental figure is a luxuriant embodiment of nature. Although the title, Autumn, was only added after the work was completed, its bursting forms suggest the fruitfulness of the season. It is one of a number of sculptures Laurens made in the 1940s relating to the traditional odalisque or exotic, reclining female nude."

Henri Laurens, Autumn, 1948

"β€˜I aspire to a ripeness of form’ Laurens said. β€˜I should like to succeed in making it so full, so juicy that nothing could be added.’ This monumental figure is a luxuriant embodiment of nature. Although the title, Autumn, was only added after the work was completed, its bursting forms suggest the fruitfulness of the season. It is one of a number of sculptures Laurens made in the 1940s relating to the traditional odalisque or exotic, reclining female nude."